Art professor brings printmaking into focus for Hendrix students
By Rob O'Connor '95
Managing Editor
As an eighth-grade student, Hendrix
art professor Melissa Gill was asked to describe what kind of career she wanted
to have.
"I knew it better be something I enjoy and that makes me happy,"
said Gill, who was already showing an inclination toward art. "Nothing changed
my mind after that."
Her parents encouraged her and her twin sister to make
art, often giving art supplies as gifts. Her aunt was a college art major and
artist, and her great-grandmother was "a pretty great artist."
In high
school, a family friend gave Gill a stack of old Interview magazines with black
and white portrait photographs. She trained herself to draw by using oil pastels
to reproduce those photos.
A Tucson, Ariz., native, Gill declared studio art
as her major during her freshman year at the University of Arizona. She took
figure drawing from a printmaking professor, who became a mentor and recommended
she try printmaking.
"I really loved painting, so I had to think hard about
which one I wanted to focus on," said Gill, who ultimately chose to concentrate
on printmaking.
As she was perusing the photo library at the University of
Arizona's Center for Creative Photography, Gill discovered the work of Harry
Callahan, whose series of photos of his wife Eleanor inspired Gill to use
photography to make prints.
"That's what made me choose printmaking over
painting," said Gill, who uses photos as sources for her images.
A year
later, she left the desert for the Midwest and enrolled in a two-year M.A.
program at Purdue University. As a teaching assistant at Purdue, she taught
beginning drawing.
After earning her master's, she enrolled in a three-year
MFA program at Indiana University, where she taught beginning printmaking.
"That's when I started to really love it," said Gill, who had become comfortable
in the classroom by then. "I also started to understand how my interaction with
students fed my studio practice."
"When you're teaching, you go over
fundamentals. As artists, we've moved beyond the fundamentals in our own
practice," she said. "But it's very helpful to bring them up in our own
consciousness because we can look at them in a different way."
She received
her MFA from Indiana in 2000 and moved to Seattle, Wash., for three years,
teaching at art centers and working part-time jobs, "some art-related, some
not."
In 2003, she returned to Purdue as a one-year sabbatical replacement
and did the same the following year at Rockford College in Rockford, Ill., where
she taught beginning photography, printmaking, drawing and two-dimensional
design. She taught conversational English in South Korea for a year before
focusing her job search on college teaching.
When she interviewed at
Hendrix, she was accustomed to getting to know new places. But she wasn't
prepared for how well she'd like Hendrix.
"I was very impressed at my
interview," said Gill, who attended the senior art major's exhibition and
thought the work was "spectacular."
The college's new three-building art
center, which opened in 2001, had been built with a printmaking studio. But
until Gill came in fall 2008, Matthew Lopas balanced printmaking with the
department's drawing and painting course sequence and other responsibilities.
"The department wanted it to be a full-time offering," she said. "It rounds out
the art program because it appeals to all students. Students interested in
photography, drawing, painting, they all enjoy it."
The department is
beginning to see specialty printmaking students too, which is very exciting, she
added.
Gill teaches wood cut in the fall and etching in the spring, all of
which are available at the beginning, intermediate, and advanced level. She also
offers a new class in mixed media printmaking.
In the summers, she has
pursued professional development opportunities, from working in a print shop in
Austin, Texas, to explore photo lithography, and a summer art residency in India
to learn about Indian culture and Hindu religion. She has also accompanied
Hendrix students to a printmaking conference in Minneapolis, Minn., and led the
senior art major practicum trip to New York City.
"Hendrix students are the
best I've ever worked with," she said. "They are hardworking and incredibly
smart."
She enjoys the opportunity to interact with student artists who are
not art majors.
"Even if they are leaning toward other majors, they're still
interested and curious about art. It's a different kind of energy compared to an
art school or art center," she said. "At Hendrix, it's more dynamic. Students
bring things from other classes and enrich it."
As an artist, Gill continues
to look for ways to use prints and printmaking to bring awareness to
environmental and global issues. To that end, she was instrumental in the
founding of the Arkansas Society of Printmakers, which sponsors printmaking
workshops and shows.
"Just representing and selling in a gallery is not
going to do it for me," she said. "I want to focus my attention on the larger
picture."